JUNGMIN YOON
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Passage (2026)
Echoes of Life
Breathing, eating, sleeping, and waking become quiet ceremonies that shape human existence through repetition. The piece considers how life is sustained by these rituals, and how the absence of them marks the fading of presence itself.
Through sound, moving image, and performance, fragmented circular forms gradually move toward one another, transforming between the shape of a cradle and a grave mound. Death is approached not simply as an ending, but as a transition, while birth becomes the beginning of connection, rhythm, and repetition. By reframing ordinary actions as ritualistic gestures, Passage invites the audience to reflect on the delicate cycle of living, disappearing, and becoming once again.
Death
A moment of stillness marking the quiet passage from presence into absence
A moment of stillness marking the quiet passage from presence into absence
Birth
The beginning of a new passage, where connection slowly emerges into the world
The beginning of a new passage, where connection slowly emerges into the world
Both
A ritual space where death and birth coexist, revealing passage as a continuous cycle rather than an ending
A ritual space where death and birth coexist, revealing passage as a continuous cycle rather than an ending
Live audiovisual ritual performance developed through the MAP Project
with Guildhall School of Music & Drama and presented at Iklectik
with Guildhall School of Music & Drama and presented at Iklectik